CAMERA – Zenit E

CAMERA: Zenit E
FILM: Lomography 400 colour
TAKEN: April 2011

I bought the hunk of metal otherwise known as the Zenit-E at a photography market in Perth. It was relatively cheap, although purchased so long ago I have forgotten exactly how much I paid for it. It came with a lens, I don’t know much about it or care to find out, and there are certain elements of the camera functions that do not work, such as the light meter. It is so heavy I have actually only used it once, to save my neck/back from breaking under the strain it was on a day that I had a friend give me a lift in her car.

There is something funky going on with the lens, but I like the patina it gives to the images.

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©Jennifer Schussler

PLACES – Richmond Park

CAMERA: Olympus Trip 35
FILM: Lomography 400

Richmond Park in the winter is a joy. The barren trees and brown landscape, hidden deer and vast vistas all pull you in and the brisk air keeps you from stopping for too long.

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©Jennifer Schussler

CAMERA – Lomokino

CAMERA: Lomography Lomokino
FILM: Kentmere 400
When the Lomokino was first announced I was excited, and I backed it on Kickstarter. When it arrived I tried it a few times, after which it sat on my shelf collecting dust for years. I found it to be difficult to handle, mostly because they then added a removable handle later, and an absolute pain to edit the frames into short films. It felt like the input far outweighed the output, and so I shelved it to same myself the time and frustration it caused.
I moved recently, and so did the Lomokino (for its 4th time, I always kept it!) and I looked at it on my shelf, put there for no reason other than it had nowhere else to go, and I thought about how I could use it without the hassle. I decided to put a black and white film in it, as now I am developing it myself it’s a less cost-prohibitive process. I decided to use it as one uses a multi-lens cameras, think Octomat or Supersampler (I’ver never used either but would like to try someday). Below are the results, a little mangled from a fight with the ancient developing reels I used to use (now replaced with new ones that work!). I don’t mind that I ruined the film a little bit, after all this was a test.
I don’t know if I’ll try using the Lomokino again. It was still difficult to use and control, it just feels like the camera is moving so much in my hands as I turn the crank, and it was too hard for my brain to remember which way the film was moving to build the shots in the right way.
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©Jennifer Schussler

ARCHIVE – Baby’s first film camera

Throw your minds back to 2007, and how difficult it was to buy anything online in Australia. Now imagine that you are 16 and don’t have a credit card but you really want this weird plastic camera that sounds like it was named after a Swedish milkmaid. That was me, looking to get a Holga from Lomography.
There was one Lomography shop in Australia at the time, and no stockists in Perth. I had to PRINT a form, fill it out with my mum’s credit card details and POST it over to Sydney, then wait for my first film camera to arrive. I had used the 35mm SLR’s at school, even my teacher’s precious Mamiya to get a taste for 120 film, but this one I could take with me anywhere and really get into using film.
It arrived, I put in the film that came with it and got shooting immediately. I had no idea what I was doing but it was great to get the film back full of overlapping frames and multiple exposures.
I haven’t always reached for my Holga, opting instead for easier to use and develop 35mm cameras, but I’ve come back to it ten years later and still love it.
CAMERA: Holga 120 CFN
FILM: Fuji Velvia 100
Shot & developed in July 2007
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©Jennifer Schussler