Leica M3 & Kodak Ultramax 400

CAMERA: Leica M3
FILM: Kodak Ultramax 400
When I was lent the Leica M3 I was so excited by the results I had in black and white that I wasn’t sure that it would do colour as wonderfully. Oh, how I proved myself wrong! I went to one of the usual places I go when testing out a camera or film, Kew Gardens. It was time for the Orchid Festival and having shot in the glasshouses before with my Holga, and having the images come out a bit dark, I was interested to see how the shots would come out with a bit more control over shutter speed and aperture.
I haven’t shot too much with this film and I was delighted at the colours that came back, helped by the sharpness and accuracy the Leica provides. I have also been trying to gain more confidence in taking photos of people as my comfort lies in plants and architecture, so the Leica helped in the quietness of the shutter to get closer to my subjects. One even waved, from afar though so isn’t immediately obvious in the photo.
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©Jennifer Schussler

PLACES – Highgate Cemetery

CAMERA: Leica M3
LENS: Voigtländer Shapshot-Skopar 25mm f4
FILM: Fomapan 400 24exp
DEVELOP: Ilford chemicals, at home
SCAN: Epson V700
Ever since I moved to London over three years ago I’ve wanted to visit Hightgate Cemetery. The photos below are from the East cemetery, easily accessed for a small entrance fee. The more scenic, dilapidated West cemetery is by tour only, so I will try and go in the summer, although the mist was moody the overcast day was not the best for photos.

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©Jennifer Schussler

CAMERA – Leica M3

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CAMERA: Leica M3
LENS: Voigtländer Shapshot-Skopar 25mm f4
FILM: Fomapan 400 24exp
DEVELOP: Ilford chemicals, at home
SCAN: Epson V700
My colleague lent me her Leica M3 after we got chatting about shooting film. She studied photography for her Masters degree and bought the Leica soon after she finished, but had never used it. I can understand how that high level of criticism of your work can suck all the fun out of doing something you love. I’ve given her a toy camera from my collection to get her back into film, with something simple and fun, unlike the beast that is the Leica M3.
I’ve never used a rangefinder camera before and I guess I am still yet to do so as the lens currently attached is not a rangefinder lens. So essentially I used it like my trusted Olympus Trip 35 with the added manual feature of shutter speed. I still have to get used to checking all the settings and it is a bit more time consuming for me. But I’m hooked, it was so much fun to lug this ridiculous brass camera around so hopefully I’ll get into good habits soon.
Below are all 26 shots from my first roll, on a 24 frame film, and I can say I’m happy with how each shot turned out. They are in focus and framed closely to what I had tried to achieve. It was the first time I had used Fomapan 400, and the first time in eight years that I had developed my own film. I shot and developed this film in a single day, which felt so damn good.
I have one major issue with this camera that is also one of it’s greatest features: the frame. The frames are so tight to each other and the sprocket holes that you get the maximum use out of the film, and more frames then you are meant to. However, it was a pain to cut my negatives because the gap between them is so narrow, and when scanning I could see where significant parts of the frame were cut off because the film holder I used is made for “normal” frames which don’t cut it so fine to the sprocket holes.

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©Jennifer Schussler