TRIP – Cambridge 2015

CAMERA: Olympus Trip 35
FILM: Agfa Vista 200

On a cold winters day in 2015 I travelled to Cambridge for the first time, taking a shaky hand and a low film speed with me. I think the allure of £1 film was misguided, and many of my rolls of Agfa Vista 200 came out with camera shake. Also at this time I was shooting my Olympus Trip 35 on Auto, not realising that the light meter was broken and that it actually works better to adjust the aperture rather than leave it be. Regardless, there were some shots from this roll that I liked, and the one of the sculpture is a particular favourite of mine all these years later.

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©Jennifer Schussler

TRIP – Rome 2015

CAMERA: Olympus Trip 35
FILM: Agfa Vista 200

In 2015 I made the mistake of visiting Rome in the heat of summer. It was convenient because a friend from Australia was passing through, but the amount of time we spent running back to the apartment to sit under the air-conditioning kind of took away from my usual routine of exploring a new city. The highlight of the trip was the Azzedine Alaïa exhibition at the Galleria Borghese, getting to see his wonderful constructions next to exquisite sculptures by Bernini was quasi-surreal. I’m looking forward to seeing the new exhibition of his clothing at the Design Museum here in London, but you can’t beat the setting of the Galleria Borghese!

I would like to return to Rome again when it is less hot, so I can visit Giolitti and not have my ice-cream melt everywhere immediately. It would be nice to be able to take my time to get around the city and not run from the heat every five minutes.

I didn’t make the best choice for film speed, so most of the photos have too much camera shake to even consider sharing. Another reason to return!

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©Jennifer Schussler

TRIP – Oxford 2014

CAMERA: Olympus Trip 35
FILM: Agfa Vista 200

While not many of the photos from this roll of film came out, some of them are still among my most favourite all these years later.

I remember feeling that something was wrong with the winding of the film, and the final frame consists of many, many multiple exposures, resulting in a very strange image.

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©Jennifer Schussler