CAMERA – Leica M3

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CAMERA: Leica M3
LENS: Voigtländer Shapshot-Skopar 25mm f4
FILM: Fomapan 400 24exp
DEVELOP: Ilford chemicals, at home
SCAN: Epson V700
My colleague lent me her Leica M3 after we got chatting about shooting film. She studied photography for her Masters degree and bought the Leica soon after she finished, but had never used it. I can understand how that high level of criticism of your work can suck all the fun out of doing something you love. I’ve given her a toy camera from my collection to get her back into film, with something simple and fun, unlike the beast that is the Leica M3.
I’ve never used a rangefinder camera before and I guess I am still yet to do so as the lens currently attached is not a rangefinder lens. So essentially I used it like my trusted Olympus Trip 35 with the added manual feature of shutter speed. I still have to get used to checking all the settings and it is a bit more time consuming for me. But I’m hooked, it was so much fun to lug this ridiculous brass camera around so hopefully I’ll get into good habits soon.
Below are all 26 shots from my first roll, on a 24 frame film, and I can say I’m happy with how each shot turned out. They are in focus and framed closely to what I had tried to achieve. It was the first time I had used Fomapan 400, and the first time in eight years that I had developed my own film. I shot and developed this film in a single day, which felt so damn good.
I have one major issue with this camera that is also one of it’s greatest features: the frame. The frames are so tight to each other and the sprocket holes that you get the maximum use out of the film, and more frames then you are meant to. However, it was a pain to cut my negatives because the gap between them is so narrow, and when scanning I could see where significant parts of the frame were cut off because the film holder I used is made for “normal” frames which don’t cut it so fine to the sprocket holes.

2017_02_04-leica-fomapan-400-012017_02_04-leica-fomapan-400-022017_02_04-leica-fomapan-400-032017_02_04-leica-fomapan-400-042017_02_04-leica-fomapan-400-052017_02_04-leica-fomapan-400-062017_02_04-leica-fomapan-400-072017_02_04-leica-fomapan-400-082017_02_04-leica-fomapan-400-092017_02_04-leica-fomapan-400-102017_02_04-leica-fomapan-400-112017_02_04-leica-fomapan-400-122017_02_04-leica-fomapan-400-132017_02_04-leica-fomapan-400-142017_02_04-leica-fomapan-400-152017_02_04-leica-fomapan-400-162017_02_04-leica-fomapan-400-172017_02_04-leica-fomapan-400-182017_02_04-leica-fomapan-400-192017_02_04-leica-fomapan-400-202017_02_04-leica-fomapan-400-212017_02_04-leica-fomapan-400-222017_02_04-leica-fomapan-400-232017_02_04-leica-fomapan-400-242017_02_04-leica-fomapan-400-252017_02_04-leica-fomapan-400-26

©Jennifer Schussler

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